Cello Lesson Number 5
I have a page and a half of Schröder exercises for open strings and first position to work on.
Yesterday, June 12, 2026, I had my fifth cello lesson with Ana Ospina at New School of Music.
Lesson Notes
In my practice sessions last week, I struggled with finding and playing notes in the first position. I am experiencing tension in the first position in my hand, lower arm, upper arm, and back. I am squeezing the neck of the cello so hard that sometimes I push the cello away from my body.
Ana’s guidance is that I must retrain my left hand and arm to get it out of guitar mode. This will require diligent, focused, and repetitive practice, and I will struggle for a while until I build new habits.
Ana gave me a digital copy of Practical Method for the Violoncello by Carl Schröder. This is available from IMSLP as Practischer Lehrgang des Violoncellspiels. She had me work through exercises 1-5 on the D string.
- Exercises on the Open Strings
- The Placing of the First Finger
- The Placing of the Second Finger
- The Placing of the Third Finger
- The Placing of the Fourth Finger
Ana taught me how to play a harmonic by bowing while placing my finger halfway up a string, just touching the string without pressing it.
I need to remember many things simultaneously while I play:
- breathe
- hold the cello properly against my sternum
- keep my bow straight
- raise my bowing arm, especially on the A and D strings
- raise my left elbow in first position
- do not squeeze the neck
- keep my left thumb flexible and able to move around behind the neck
- when playing notes such as C# and D on the A string, use all of my fingers
Assignments
- Schröder exercises 1-5 on all four strings, working on them ten minutes for each practice session
- “Twinkle” on the D, G, and C strings
- the following tunes in Blue Book of Tunes - Cello:
- “Sad Brother John” (p. 17)
- “Close Friends in Dm” (p. 18)
- “Close Friends in Gm” (p. 19)
- “Jazz for the Open Strings”
Additional Notes
The lesson was fun and stimulating. I always come away from a lesson with enthusiasm for practicing the next week. I did better at suppressing self-criticism during my lesson. I need to force myself to keep playing instead of stopping after I make a mistake.